PETROPIAS
Tony Vazquez-Figueroa

November 19, 2021 – January 22, 2022

INSTALLATION PHOTOS

SELECTED WORKS

Tony Vazquez-Figueroa
Black Mirror Painting / Re-Surface, 2021
resin, acrylic paint, and rubber on canvas
108 x 72 inches

Tony Vazquez-Figueroa
Re/Emergence (Study #2), 2021
plexiglass, wood, metal, and acrylic paint
65 x 51 inches

Tony Vazquez-Figueroa
Re/Emergence #2, 2021
plexiglass, wood, metal, and acrylic paint
66 x 60 inches

Tony Vazquez-Figueroa
Re/Emergence #1, 2021
wood, metal, plastic, plexiglass, acrylic, PETG plastic (thermoforming plastic), MDF, and acrylic paint
40 x 36 inches

Tony Vazquez-Figueroa
Petropias I / Facades #1, 2021
archival print of a found agfachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I / Refinery, 2021
archival print of a found slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I / It Is Everywhere, 2021
archival print of a found ektachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I / The Great Silence, 2021
archival print of a found agfachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
43 x 32 inches

Tony Vazquez-Figueroa
Petropias I /Another Time; Crossroad, 2021
archival print of a found kodachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
43 x 32 inches

Tony Vazquez-Figueroa
Petropias I /The Great Impression #1, 2021
archival print of a found agfachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I /At The Sheraton, 2021
archival print of a found agfachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I /An Old New Destination, 2021
archival print of a found kodachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I /It Is The West, 2021
archival print of a found agfachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

Tony Vazquez-Figueroa
Petropias I /Lago, 2021
archival print of a found agfachrome slide manipulated with laser cut and acrylic
edition of 3 + 2AP
32 x 43 inches

LnS GALLERY is honored to present Tony Vazquez-Figueroa’s solo exhibition Petropias, a culmination of three years of work by the multimedia artist. This immersive collection of paintings, photography, and sculptures will enrapture the audience in the artist’s interpretation of the worldwide impact of the petroleum industry. Petropias is Vazquez-Figueroa’s second solo exhibition at LnS Gallery and is curated by Tami Katz-Freiman.

Vazquez-Figueroa is an internationally trained, Miami-based artist, born and raised in Venezuela. His deeply personal investigation into how oil-rich countries create unique physical environments, like oil refineries, and peculiar socio-economic and cultural environments led to the formation of Petropias, a term coined by the artist.

As elaborated on by Tami Katz-Freiman in the accompanying catalogue essay, “Venezuela, as viewed through Vazquez-Figueroa’s critical eyes, is neither a utopia nor a dystopia, but rather a heterotopia (from the Greek hetero=different, and topos=place), a term employed by the French philosopher Michel Foucault…Foucault attends to the manner in which those excluded from the public sphere are defined within clearly circumscribed  spaces that compromise, and sometimes even negate, their power and their very identity.”

This becomes the undercurrent of the exhibition. Vazquez-Figueroa’s adapted Petropias, plays on the petrostate, revolving around the idea of holes, refineries, and containers that are revealed by structurally and metaphorically through methodologies that are innovative and challenging exemplifications of craftsmanship, artistry, and science.

In culmination, Vazquez-Figueroa declares, “I lived in a Petropia (Venezuela) and I learned to love it and understand it with its enormous defects and my enormous voids. I was ‘thrown into a world,’ into a Petropia, and found my way around it, escaping some of the terrible ideas that were imposed upon me.”

Headshot by and courtesy of Edson Smitter